Survey participants include artists, architects, acousticians, urbanists and community organisations that want to activate sonic experience in the design of real-world projects.
The roots of Sven’s tactics can be traced to the work of the Artist Placement Group (APG) and the expanded practice of Max Neuhaus, while his methodologies integrate current perspectives established through contemporary sound studies and critical spatial practices.
Sven has established durational sonic enquiries with collaborators ranging from regional authorities to interdisciplinary design teams, from architecture firms to local communities. His approach is action-led, establishing participatory frameworks such as publicly-controlled urban sound installations (Continuous Drift, 2015 – ) and ambiguously-defined community spaces (The Office for Common Sound, 2016 &; 2019) to encourage diverse stakeholders to engage with each other through considerations of sound and listening.
The roots of Sven’s tactics can be traced to the work of the Artist Placement Group (APG) and the expanded practice of Max Neuhaus, while his methodologies integrate current perspectives established through contemporary sound studies and critical spatial practices.
Sound-Frameworks is supported by partnerships with Arup (UK), UrbanIdentity (CH), Struer Kommune (DK), the University of Oxford Faculty of Music (UK) and the Sound Studies Lab at the University of Copenhagen (DK).
Sound-Frameworks has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 101032632.